Wildlife Photography – Nikon D500/D5/D6 or D850?

While most people are talking about the latest and greatest new Nikon D6, in this video, we will try to figure out which of the Nikon bodies is more suited for wildlife and why.

When I talk of wildlife, I include birding, macros (insects), as also mammals (large and small).

In general, the gear you use would depend largely on your usage and budget. In my case, I share images on the web and also print some. Personally, I like to have details in the subjects that one would not see via the naked eye which presents the beauty of nature from a different perspective.

Before we move on, all my image reference numbers are based on my Nikon 200-500mm at the full 500mm regardless of which body I use it on as also the fact that I like to fill the frame where practically possible.

Now, I also put some images on stock sites occasionally and most such sites, if not all, require at least 3000 px on the long edge.

Now that we have all this talk done, let us look at what the two most discussed features of any new camera:

1. The AF or the Auto-Focus system
2. The low light performance or ISO response range

Yes, there is the frame rate or FPS as well, but, that part I have already discussed in an earlier video.

Let us take these one-by-one and see how they impact wildlife photography.

The ISO or low light performance first. This definitely impacts the image quality in low light and there is no doubt on that part.

Unfortunately, this improved ISO performance comes at a cost. The cost is generally the resolution of the sensor. This is also reflected in the latest Sony A7 III which is a 12 MP sensor as also in the top end Canon bodies. The most often used term in this regard is the larger “pixel” size. There are details on the sensors available on the internet for those who might want to know more about this.

Once again, your gear depends on your purpose/usage and budget.

Now, let us look at the AF part. The AF is not relevant for macros or super macros (1:1 or higher). That leaves us with action shots of birds and mammals.

Most mammals are large enough so one could easily use just a single focus point. The same applies to large birds. I would say the size of crows and larger.

Most of the issues we look at the AF system is when we are dealing with smaller mammals (squirrels and the likes) and small to tiny birds.

Now, there are actually two issues here…First, these subjects are small and unless you can get close to them, you will not really get any detail. Second, when you get close enough to these small ones, every AF, as also you, would be hard-pressed to track/pan them.

Getting close to a subject can be achieved in two ways.

1. Getting physically closer, or
2. Using a longer lens

Let me talk of a couple of specific examples. If you have ever tried to shoot a running squirrel around a 10-meter distance, you already know what happens when you try to pan the camera with it. The same applies to a tiny sunbird or tailorbird. Although you might get a squirrel running across a wall or the ground, the birds would be even faster and more erratic.

If you cannot move the camera fast enough to track, the AF cannot do much since the subject is not within the AF range. The 10-meter distance that I mentioned is just about good enough to get some detail on these subjects even though you will have only a quarter of less of your frame with the subject.

Before we look at some images to figure out the above-mentioned points, let us look at some of the Nikon bodies and their image resolutions…

D5200, D5300, D7200 – 6000 x 4000 (Approx. 24 MP)
D7500, D500, D5, D6 – 5568 x 3712 (Approx. 20 MP)
D850 – 8256 x 5504 (Approx. 45 MP)

Excepting for the D500, D5 and of course, D6, I have owned all the other bodies and used them for years. My current gear is a couple of D850s, a D7500 with a Nikkor 200-500mm as my long lens and a Tamron 90mm as my macro lens besides some others.

Let us now look at some of my shots to see what becomes more relevant for wildlife and why.

I will use ON1 Photo Raw 2020 for this purpose for two reasons.

1. It shows the subject distance as seen by the camera
2. I have not processed the images in any way in this application

To summarise what we just saw…

The resolution is perhaps the most important part for wildlife photographers. The AF, regardless of how good it is, cannot do much unless you can pan the camera and keep the subject in the frame. For long shots, the AF would not really make a difference in practice as also for larger subjects.

The sensor resolution detail would be limited by the lenses you use, so, keeping a reasonable balance between the resolution, lens and your budget might be a prudent choice. Getting the highest-resolution sensor around might not be the best choice.

In my case, I try to figure out the maximum ISO at which the image quality is acceptable to me at given distances for every camera body. I do not shoot if I have to go beyond that excepting in some cases or to test.

Ultimately, it is your choice as to what is more important to you as a wildlife photographer. Of course, there is also a possibility that all this would change in the future as technology moves ahead…

Nikon D850 ISO 25600 – Usable with Topaz DeNoise?

I have been experimenting with my D850 for a few months now and I will share some of my findings regarding the ISO response for wildlife.

As one would expect, the ISO response is a lot better than compared to my earlier D7500. In fact, it turns out to be twice as good for my kind of shots.

Normally, I try to shoot as close as practically possible and try to get as much detail on the subjects given the light and exposure I can achieve.

Then, I tried to push the ISO to the limits which, one normally would not do. Today, I tried it at the highest native of 25600 but, in low light. Around 7 pm on a cloudy day.

The idea was to see what I could get from the D850 and use Topaz DeNoise to try and make the images usable.

Let’s see how this experiment went…

#photography #nikon #Topaz #noise #iso

Creating Textures in Photoshop 2020 and more…

Photoshop has built-in actions for a variety of functions that not many people that I know of actually use.

Not that I personally use those a lot, but, these built-in actions can save a huge amount of time if you need to do anything similar.

Before we look at the actions, there are a couple of points to keep in mind…

  1. If you invoke Photoshop from Lightroom, you will get all kinds of errors and this is definitely a bug in the Lightroom-Photoshop workflow.
  2. In case you get any errors while running these actions, just reset the settings for Photoshop by pressing CMD+OPT+SHIFT and then clicking on the PS icon to start PS. You will be prompted to reset the settings and just click okay on that.

Now that we are done with the issues, let us take a look at all the goodies we have already built into Photoshop.

#Photography #Lightroom #Wildlife #Photoshop #Nikon

Lightroom Auto-Mask in Photoshop? Yes, there is one!

Sometimes, when I already have made some edits in Photoshop and find that I missed out some small areas when using the auto-mask in Lightroom, it was a pain using a brush to fix it.

Turns out that Photoshop not only has an equivalent to the Lightroom auto-mask feature but, it is far more powerful in the way you can control how the auto-masking works.

So, without spending any more time on explaining this, let us open a raw file in Photoshop and see how this works…

Photography #Lightroom #Wildlife #Photoshop #Workflow

Lightroom 9.3 and Photoshop 21.2.0 Updates

These updates were released a few hours ago and we will take a brief look at both to figure out the changes.

Of course, the individual features and internal changes will follow in a later video…

Photography #Lightroom #Wildlife #Photoshop #Nikon

Nik Collection 3 – What I would like in the next update

Even after all these updates and features, the one thing that is still lacking in the Nik Collection, and some others as well, is the almost total lack of attention to the UI/UX and consistency of usage.

Let us look at the latest version of the Nik Collection, one by one, and see what I mean by this.

Inconsistent menus, zoom, pan, navigation, buttons and settings. No standard shortcuts apply where they could.

#Photography #Nik #NikCollection

White Backgrounds with Lightroom, ON1 Photo Raw and Photoshop

I have already shared how to create black backgrounds earlier, but, this one is going to be slightly different as we will also discuss a bit about the original exposure and which shots lend themselves well to a white background.

Do not confuse a white background with a high key image. High key images are those that are mostly light and white which is not true for just a white background image.

We will go through the process of making a white background in Lightroom, Photoshop (with and without Topaz Mask AI) as well as ON1 Photo Raw.

Yes, I have recently installed the trial version of Topaz Mask AI and so far, not very impressed as far as wildlife is concerned. Still learning more about it and experimenting…

This would also give us a reasonable comparison as to what one can do with each.

So…This is an image from my rooftop shooting today and this is what we will use in this session. Let’s start with this in Lightroom and then we will look at the same in Photoshop and finally in ON1.

First, the shot itself. As you can see from the base EXIF, this is overexposed specifically for a white background. I have avoided the wall behind the bird and it’s mostly the floor of the roof in the background. The angle of the shot is just over the bird to do this.

Similarly, when you have grey and/or overcast conditions, you can always look to overexpose a bit to create similar effects. Even low light conditions are good for this as long as the subject is close enough. In this case, the bird is just 6 meters away.

Now that we already have a dull background, let’s see how we can make this image pop a bit…

First, we apply my wildlife preset to this and tweak it a bit for a white background. Then, as with the black background, we use the adjustment brush and mask the background around the bird and then pull up all these sliders to make it white.

Do keep in mind that we can only do black or white in Lightroom, anything beyond that, you would have to look at some other application.

Okay, now, let’s remove the mask and try the same in Photoshop.
First the select subject.
Now, let’s try the Topaz Mask AI

Finally, let’s do the same in ON1 Photo Raw…We will use the local adjustments here with the perfect brush which is the equivalent of the auto-mask in Lightroom.

#Photography #Post #Topaz #Photoshop #ON1 #Lightroom

Topaz Products not appearing in Photoshop 2020?

I had already uninstalled the Topaz Mask AI and the Topaz Studio 2 which I was considering to purchase as part of one of their packs. I am running MacOS Catalina 10.15.5 with all updates applied.

I had already searched around on the net and their own FAQs and forums and nothing helped. I had also downloaded the full installers, but, did not work.

I was about to log a ticket with and then I thought I would go through the apps to try and see if I could fix the issue manually.

Took me around 5 minutes to figure out and fix the issue. The solution is what I will share here.

I would recommend you download the full installers since that takes a lot lesser time to install than the online installers.

Once you start the installers, you might get an error message that the application is from the internet or unidentified developers. Not an issue, just right click on the installer application and click on “open” and then you will be prompted if you really want to run the app and you click on “open” again.

That will start up the installers. Once you have installed any of these products, you will not see them appear in Photoshop as most others do.

You will manually need to copy the plugins to the Photoshop plugin folder and then start up Photoshop to see them appear.

  1. Make sure that Photoshop is not running
  2. Go to the “Applications” folder (press CMD+SHIFT+A)
  3. Go into the “Topaz Labs LCC” folder
  4. Now, go into the application folder you want to add as a plugin
  5. 5. Right-click on the application file and select “Show Package Contents”
  6. Go into the “Content” folder
  7. Go into the “Resources” folder
  8. 8. Finally, go into the “PS_Plugins” folder
  9. You can either copy the contents of this folder, or the folder itself for the next step
  10. Go back into the “Applications” folder
  11. Go into the “Adobe Photoshop 2020” folder
  12. 12. Go into the “Plug-ins” folder
  13. Finally into the “Filters” folder
  14. Paste the plugins or the plugin folder copied from step 9 here.

That’s it. Repeat the process for all Topaz apps.

Now when you start Photoshop, you will see them appear as they should have to start with. These are simple to add in Lightroom, so, that should not be an issue.

I can only hope that Topaz fixes these installation issues soon…

#Photography #Post #Topaz #Photoshop

Download free backgrounds, textures and sky replacements

I have hundreds of shots that I have taken over the years to use as a background.

These shots include clouds, sunsets and bokeh shots.

Since both Luminar 4 and ON1 Photo Raw 2020 make it easy to replace backgrounds, I decided to make this set of 25 backgrounds/textures/sky replacements that people can use with their own images.

These are all full-frame images in the TIF format which would allow you to further process them where needed.

The link to download these images is given below. If you find this useful, do leave a comment and I will try to create more such packs.

We will just run through the images in this pack and see how they can be used in ON1 and Luminar…

https://drive.google.com/file/d/17IbOM6oM3mayhYv3qYjKJIa0eaesiMiQ/view?usp=sharing

Photography #Luminar #ON1 #Photoshop #Post